
In the first few weeks of my last year of undergrad, I had to make a choice. A choice, that is, about what “kind” of journalism I’d ultimately want to practice. I chose magazine-oriented print journalism and… narrative nonfiction. In my narrative nonfiction workshops (led by genre veteran Stephen Kimber), we talked about all the things we weren’t allowed to discuss in my other classes; the focus, at last, was on style (not just substance). We read Capote, Thompson, Wolfe, Didion, Mailer—journalists who took all sorts of risks with their stories—with style and substance (and substances). And on several occasions, we found ourselves arguing about truth, half-truths, white lies, real lies, and the reliability of our narrators. As our final assignment, we were asked to write our own narrative nonfiction story.
As someone interested, equally, in fact and fiction, I found this task daunting. Every time I typed a truthful sentence, I couldn’t help but imagine its fictional counterpart. Did it really matter if I wrote that my interviewee was wearing green mittens—not red leather gloves? Did it actually make a difference if I mentioned our interview took place at a Mom and Pop coffee shop—not some seedy bar? Ultimately, I learned that it wasn’t easy to practice what I’d so righteously preached in class. But my name—and reputation—was attached to that story. And I couldn’t bring myself to meddle with the details.
Today, it’s not uncommon to read stories that don’t have names attached to them. At least, this is often the case online. The Joan Didions and Tom Wolfes of the World Wide Web use pseudonyms and cryptic blogger IDs. And their respondents (blog commenters) follow suit. True, some bloggers do reveal their identities (like everyone does at Torontoist), but I’m wondering what you think about those who don’t. If a “real name” isn’t attached to an article—can this story still be truthful? As it possible to consider these pseudonymed narrators reliable?

